MOV to MP4
Convert an iPhone or QuickTime MOV video to widely-supported MP4 — keeps quality intact whenever a fast remux is possible.
Drop a MOV file here or click to browse
QuickTime .mov or .qt files — up to 100MB
How it works
A compact workflow from input to download.
Upload your MOV file
Choose a .mov video, such as one recorded on an iPhone, up to 100MB.
We convert it
The file is remuxed to MP4 instantly, or transcoded if the codec needs it.
Download the MP4
Get a video file that plays on any device or platform.
Frequently asked questions
Why won't my MOV file play everywhere?
Will converting reduce quality?
What's the maximum file size?
Is my video stored anywhere?
Do I actually need to convert my iPhone videos?
What about HEVC (H.265) MOV files?
MOV to MP4: Why iPhone Videos Often Need Converting
MOV is Apple's QuickTime container format, and it's what every iPhone and iPad uses to save recorded video. Inside Apple's world it works flawlessly, but the moment a .mov file leaves that ecosystem — emailed to a Windows user, uploaded to a platform that expects MP4, or dropped into an Android video editor — it frequently refuses to play. MP4 is the universal standard that solves this. The conversion itself is usually quick and lossless, but understanding why explains the occasional slow one.
Container vs. codec, in Apple terms
MOV and MP4 are closely related containers — MP4 was actually derived from the QuickTime format — so in many cases converting is just a matter of repackaging the same video and audio streams into an MP4 wrapper. This is called remuxing, and because nothing is re-compressed, it is instant and 100% quality-preserving. Whenever the underlying codec is already MP4-friendly (typically H.264), that's exactly what happens here.
The HEVC wrinkle on newer iPhones
Since iOS 11, iPhones default to recording in HEVC (H.265), a more efficient codec that halves file size but is not supported everywhere. If your MOV uses HEVC, simply changing the container to MP4 may still leave it unplayable on older devices. In that situation the video stream has to be transcodedto H.264 — the most broadly compatible codec in the world — which takes longer and involves a tiny, generally invisible quality trade-off. The payoff is a file that plays on essentially anything made in the last fifteen years.
When to keep the original MOV
If you edit primarily in Final Cut Pro, iMovie, or other Apple software, the native MOV may be the better master to work from — convert a copy to MP4 only for sharing and delivery. Keeping your original untouched means you always have the highest-quality source to re-export from later.
Related tools
Continue the workflow with adjacent tools.